Description | A original DCP (or j2k mxf) converted to ProRes seems to be ok when playing back in post through blackmagic devices.
But If I convert a fresh ProRes from digibeta capture (so in legal range I suppose), the converted ProRes from DOP (with some edit, cropping and sub for exemple) is not good when
playing back on TV. In my StanGetz exemple, I have a live concert with low light exposure, and after a test export in DOP, there is a lot of micro white pixel saturation. Of course, the final DCP is OK, only the ProRes test have this issue. |
---|